New Vinyl Records

POWERMAN 5000 / TONIGHT THE STARS REVOLT - Wielding a sonic death ray composed of metal, industrial, and rap (with trace elements of camp), Powerman 5000's 1999 release Tonight the Stars Revolt! Pulverized everything in it's path on the way to a million-selling Top 30 release boasting a pair of hits in "When Worlds Collide" and "Nobody's Real" (and a killer cover of the Cars' "Good Times Roll"). Rob Zombie's younger brother Spider One's obsession with '50s pulp science fiction holds the whole thing together, right down to the cheesy-but-charming graphics that we've faithfully recreated on the matte-finish album and inner sleeve to this, it's FIRST-EVER vinyl release. Seldom has there been an album more suited to the visual and aural pop of the LP format... brace for impact! Coke clear with bright yellow streaks pressing (look lively for that hidden bonus track at the end of side two)

Limited orange colored vinyl LP pressing. In the early-to-mid 1970s, Belgian recording engineer and synthesist Daniel Lacksman née Lanckmans recorded and released a series of pop music records, using early analog synthesizers as a central sonic element. Under an admittedly confusing array of names, Lacksman (who later founded the group Telex) created music that was equal parts innovation and ear-candy accessibility. Those often happy-go-lucky records gained some popularity throughout Europe, but their lasting influence can be heard in the music of Portishead, Massive Attack, The Moog Cookbook, and Air, not to mention among the lengthy list of 21st century artists who have sampled these recordings. And a casual survey online quickly reveals that these records are among the most collectible of their kind, with original copies commanding hundreds of dollars. None of Lacksman's records, however, are quite as collectible as the one he recorded in 1974 under the name Electronic System, Tchip Tchip (Vol. 3). While much of side one Tchip Tchip presents the composer's signature blend of synthesizer kitsch and boundary-breaking creativity, ranging from the oom-pah sound of the title track to the wacky 'Spider,' almost all of side two is devoted to the 14-minute 'Sky Lab,' which sounds like it came right off an Air record recorded 25 years later, with maybe a little Dark Side-era Pink Floyd thrown in. A true marvel, this track is why original copies of Tchip Tchip are downright unaffordable'it's not to be missed. Our Real Gone Music reissue has been mastered for CD and LP from the original tapes by Lacksman himself, and feature liner notes by Bill Kopp that include exclusive quotes from Lacksman and photos from his private archive.

Limited yellow colored vinyl LP pressing. Includes d I g I t a l   d o w n l o a d . On The Beths' 2022 album Expert In A Dying Field, Elizabeth Stokes' songwriting positions her somewhere between being a novelist and a documentarian. The songs collected here are autobiographical, but they're also character sketches of relationships and more importantly, their aftermaths. The question that hangs in the air: what do you do with how intimately versed you've become in a person, once they're gone from your life? The third LP from the New Zealand quartet houses 12 jewels of tight, guitar-heavy songs that worm their way into your head, an incandescent collision of power-pop and skuzz. The album's title track "Expert In A Dying Field" introduces the thesis for the record: "How does it feel to be an expert in a dying field? How do you know it's over when you can't let go?" Stokes asks. "Love is learned over time 'til you're an expert in a dying field."

Vinyl LP pressing. Includes poster and sticker. 2022 release. From the first bass note within the driving drum beat you can tell something is different about this record from Nikki Lane. The backbeat feels like a gutsy strut while the lead guitar feels like a revved up engine shifting gears. Denim & Diamonds comes out firing, spit shining the cowboy boots and tossing on a jean jacket. Produced by Joshua Homme (Queens of the Stone Age), Denim & Diamonds has the Highway Queen embracing a more rock-oriented sound while still maintaining the heartfelt outlaw country sound she has developed across her previous three releases. Denim & Diamonds still has the f***-off flare of which Nikki has come to be known. Her stylized, story-telling lyrics are all there as well as her catchy country hooks. The outlaw country sound is now balanced out with a gritty guitar and a machine gun snare that echoes the sound of 70's rock. Nikki Lane has made a record that sounds new and old. Familiar and surprising. She embraces where she has come from, ("First High", "Born Tough") the lessons learned along the way, ("Good Enough", "Try Harder") all while doing things her way, ("Denim & Diamonds", "Black Widow").

Limited yellow vinyl LP pressing. In the early-to-mid 1970s, Belgian recording engineer and synthesist Daniel Lacksman née Lanckmans recorded and released a series of pop music records, using early analog synthesizers as a central sonic element. Under an admittedly confusing array of names, Lacksman (who later founded the group Telex) created music that was equal parts innovation and ear-candy accessibility. Those often happy-go-lucky records gained some popularity throughout Europe, but their lasting influence can be heard in the music of Portishead, Massive Attack, The Moog Cookbook, and Air, not to mention among the lengthy list of 21st century artists who have sampled these recordings. And a casual survey online quickly reveals that these records are among the most collectible of their kind, with original copies commanding hundreds of dollars. Among those albums, the one Lacksman recorded in 1973 under the pseudonym Electronic System featured the first full flowering of his synthesizer mastery. His hit recording 'Coconut' had enabled him to buy a modular synthesizer, which offered a vastly expanded sonic palette'if you had the patience to re-wire for each sound you wanted to achieve. Which was the perfect set-up for a studio engineer like Lacksman'the result is an album full of sonic surprises, with each track presenting multiple, unique synthesizer tones and attacks, even on such nakedly commercial moves as his cover of Ritchie Valens' 'La Bamba.' An analog synth tour de force! Our Real Gone Music reissue has been mastered for CD and LP from the original tapes by Lacksman himself, and feature liner notes by Bill Kopp that include exclusive quotes from Lacksman and photos from his private archive